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icepixieAaaaaiiiieeee, I just scheduled my defense/exam. Morning of April 5th. I NEED TO START BREATHING AGAIN BUT I'M NOT QUITE SURE HOW.
(One of my committee members is a sweet and lovely woman who responds to my e-mails with things like, "Let's rock!" which at least makes me feel a little better. I'm sort of hoping that if I freak out enough now, then I will have reached my limit of freaking-out-ness by April and will thus be preternaturally calm when I'm actually in there doing the oral. We'll see if this theory works out for me.)
*
Since deadlines mean I likely won't be doing another round of music recs for a while, have two that I've been listening to lately, and some musings.
Terminal Star by Karine Polwart. I hadn't listened to this one when I made my last round of recs, but now that I have, I have to, because I have to share some love for a girl who can get her science on in a folk song. It's a song about a star. Literally. I mean, yes, there's probably some kind of veiled metaphor, blah blah blah, but it's about an honest-to-goodness star that died a long time ago but whose light is only reaching Earth now. And you have to admire that. Even more so because the music is nice as well.
Belated Promise Ring by Iron & Wine. (Bonus points for the girl sharing my name. Uh, not totally sure that's flattering, but anyway.) My plan, someday, when I don't have deadlines hanging over my head (so...May, pretty much), is to make a screwball comedy vid to this song. I was originally thinking a single-source vid (likely Bringing Up Baby), but then I thought about how many great ones that would leave out, and I think when I make this vid, it'll use footage from multiple movies. I'm leaning towards something like framing it with clips from Moonlighting, and then doing a kind of retrospective, here-are-interpretations-of-the-archetype deal. The lyrics don't support a typical screwball plot (they don't really have a plot at all), but they evoke the feeling and energy of the two character types in an impressionistic sort of way. The trick would be conveying the zany, rapid-fire movement of the dialogue via physical motion.
Anyway, at the moment I'm thinking of Bringing Up Baby, It Happened One Night, Carefree, and Ball of Fire (a Barbara Stanwyck film from 1940 I watched for my film comedy/romantic comedy class at Exeter...seems to have been overlooked by many, but I really enjoyed it). I know there are several I haven't seen, but they're in my Netflix queue. Actually, maybe it's a good thing I won't have time to do this until May; it might take me that long to figure out what sources to use!
(One of my committee members is a sweet and lovely woman who responds to my e-mails with things like, "Let's rock!" which at least makes me feel a little better. I'm sort of hoping that if I freak out enough now, then I will have reached my limit of freaking-out-ness by April and will thus be preternaturally calm when I'm actually in there doing the oral. We'll see if this theory works out for me.)
*
Since deadlines mean I likely won't be doing another round of music recs for a while, have two that I've been listening to lately, and some musings.
Terminal Star by Karine Polwart. I hadn't listened to this one when I made my last round of recs, but now that I have, I have to, because I have to share some love for a girl who can get her science on in a folk song. It's a song about a star. Literally. I mean, yes, there's probably some kind of veiled metaphor, blah blah blah, but it's about an honest-to-goodness star that died a long time ago but whose light is only reaching Earth now. And you have to admire that. Even more so because the music is nice as well.
Belated Promise Ring by Iron & Wine. (Bonus points for the girl sharing my name. Uh, not totally sure that's flattering, but anyway.) My plan, someday, when I don't have deadlines hanging over my head (so...May, pretty much), is to make a screwball comedy vid to this song. I was originally thinking a single-source vid (likely Bringing Up Baby), but then I thought about how many great ones that would leave out, and I think when I make this vid, it'll use footage from multiple movies. I'm leaning towards something like framing it with clips from Moonlighting, and then doing a kind of retrospective, here-are-interpretations-of-the-archetype deal. The lyrics don't support a typical screwball plot (they don't really have a plot at all), but they evoke the feeling and energy of the two character types in an impressionistic sort of way. The trick would be conveying the zany, rapid-fire movement of the dialogue via physical motion.
Anyway, at the moment I'm thinking of Bringing Up Baby, It Happened One Night, Carefree, and Ball of Fire (a Barbara Stanwyck film from 1940 I watched for my film comedy/romantic comedy class at Exeter...seems to have been overlooked by many, but I really enjoyed it). I know there are several I haven't seen, but they're in my Netflix queue. Actually, maybe it's a good thing I won't have time to do this until May; it might take me that long to figure out what sources to use!
